bruha:chou, a Tagalog:Cantonese word ratio, translates to “witch:clown” – a brown witch:clown ventures through the gallery, alien-izes and de-neutralizes whiteness, attempts to wear whiteness (with a simultaneous nod to painted Cantonese opera clown aesthetic), explores the puzzling white box that humans refer to as the Vancouver Art Gallery. bruha:chou responds, ponders, releases, and takes nothing for granted. Flailing, going through… Read more →
